Wednesday, August 04, 2010
Tom Vance: Plan in the Philadelphia Weekly
"Tiger Strikes Asteroid, the artist-run, artist-curated exhibition space that shares an address with Vox Populi, will be holding the opening reception for “Plan,” a collection of works by Philadelphian and 2002 Tyler MFA graduate Thomas Vance. Vance, whose work has been featured in four group exhibitions at Fleisher-Ollman Gallery over the past decade, makes three-dimensional pieces such as his amorphous, painted-cardboard geodesics, which recall vegetation in form and Crayola in hue. Vance draws attention to the artifice of painting by covering the cardboard with thick brushstrokes that occasionally evoke wood grain—a nod to late Cubism. The purposefully artificial-looking objects reference natural forms, and they’re little microcosms of the human desire to tame and replicate nature. In the last few years, the artist has added a number of ink drawings to his portfolio, some of which were featured in Seraphim Gallery’s acclaimed “Let’s Go Enjoy Nature!” exhibit last month. His work on paper also turn on themes of nature and control; the recent Nikwai series juxtaposes wood-grain motifs with round figures that evoke the eponymous Japanese topiaries. (Lucy McGuigan)"
Read more: http://www.philadelphiaweekly.com/arts-and-culture/Augusty-First-Friday-Picks.html#ixzz14hvR64W2
Friday, April 03, 2009
Older Press Links
June 16, 2010
Clint Jukkala & Mia Rosenthal on Two Coats of Paint
Clint Jukkala & Mia Rosenthal on Two Coats of Paint
June 10, 2010
Clint Jukkala & Mia Rosenthal reviewed on The Art Blog
Clint Jukkala & Mia Rosenthal reviewed on The Art Blog
April 11, 2010
Anne Schaefer: In Step on The Art Blog
Anne Schaefer: In Step on The Art Blog
March 07, 2010Nathan Pankratz: Calamity Jane reviewed on Matthews the Younger
February 12, 2010
View from High Places reviewed on Printeresting
February 12, 2010
View from High Places reviewed on Printeresting
January 19, 2010Unveil reviewed in CityPaper
November 4, 2009
Patch and Plot in the Philadelphia Weekly
Patch and Plot in the Philadelphia Weekly
August 23, 2009No Objective reviewed in Philadelphia Inquirer by Edith Newhall.
August 9, 2009No Objective reviewed on Matthews the Younger
July 19, 2009
Manifest Destination reviewed in the Philadelphia Inquirer
"Dark Duo," by Edith Newhall
July 19, 2009
Manifest Destination reviewed in the Philadelphia Inquirer
"Dark Duo," by Edith Newhall
July 7, 2009
Manifest Destination reviewed on The Art Blog
"First Friday - an Introspective Fourth of July," by Libby Rosof
Manifest Destination reviewed on The Art Blog
"First Friday - an Introspective Fourth of July," by Libby Rosof
July 6, 2009
Manifest Destination mentioned on Rob Matthews' blog, Matthews the Younger
"First Friday This Week"
Manifest Destination mentioned on Rob Matthews' blog, Matthews the Younger
"First Friday This Week"
June 3, 2009
Pre-opening N4TUR3 buzz on The Art Blog and in Philadelphia City Paper
"What we want to see Friday," by Roberta Fallon and Libby Rosof
"First Friday Hit List," by Carolyn Huckabay
Pre-opening N4TUR3 buzz on The Art Blog and in Philadelphia City Paper
"What we want to see Friday," by Roberta Fallon and Libby Rosof
"First Friday Hit List," by Carolyn Huckabay
June 1, 2009
Tiger Strikes Asteroid featured on AirTran's inflight Magazine
"Underground Artist Society," by Elisa Ludwig
Tiger Strikes Asteroid featured on AirTran's inflight Magazine
"Underground Artist Society," by Elisa Ludwig
May 13, 2009
Video review of Future Past Imperfect on The Art Blog
"Look! It's Libby and Roberta talking about cats and dogs"
April 14, 2009Interview by Rob Matthews with Phillip Adams on Matthews the Younger
>>download interview
April 14, 2009Spring Break 2009 reviewed in Philadelphia Weekly
"Copy Gallery and Tiger Strikes Asteroid Get Political," by Roberta Fallon
Video review of Future Past Imperfect on The Art Blog
"Look! It's Libby and Roberta talking about cats and dogs"
April 14, 2009Interview by Rob Matthews with Phillip Adams on Matthews the Younger
>>download interview
April 14, 2009Spring Break 2009 reviewed in Philadelphia Weekly
"Copy Gallery and Tiger Strikes Asteroid Get Political," by Roberta Fallon
April 7, 2009
Great review of Spring Break 2009 on The Art Blog
"Big and Bigger - Adams and Monnier on First Friday," by Libby Rosof
Great review of Spring Break 2009 on The Art Blog
"Big and Bigger - Adams and Monnier on First Friday," by Libby Rosof
March 14, 2009Writeup on Matthews The Younger
March 3, 2009
Brief Mention in Philadelphia Weekly
"Collective Goal," by Roberta Fallon
Brief Mention in Philadelphia Weekly
"Collective Goal," by Roberta Fallon
Feb 17, 2009
Interview with member Alexis Granwell in Salt Lake City Fine Arts Examiner
"ASSASSINATION: Alexis Granwell," by Qi Peng .
Interview with member Alexis Granwell in Salt Lake City Fine Arts Examiner
"ASSASSINATION: Alexis Granwell," by Qi Peng .
Feb 12, 2009Pre-opening excitement on The Art Blog
"Tiger Strikes Asteroid Any Day Now!" by Libby Rosof
"Tiger Strikes Asteroid Any Day Now!" by Libby Rosof
Friday, March 13, 2009
Friday, March 06, 2009
March Exhibition: Getting Ready for the Prom

Tim Gierschick, Pod, latex and enamel paint on found panel
Getting Ready for the Prom
Phillip Adams, Tim Gierschick, Alexis Granwell, Alex Paik, Nathan Pankratz, Caroline Santa
March 6 - 27, 2009
Opening Reception: Friday, March 6th, 6pm-9pm
Wednesday, February 25, 2009
Clutter
So I think that I want to focus more on discussion on the Tiger Strikes Asteroid blog rather than it being a diary of things we've seen, so I will be posting more about different topics that relate to artists rather than posting music or show reviews. If you want to see posts about that, you can go to my old blog, Watching Paint Dry.
I've been reading Letters to a Young Artist, and there is a part of Gregory Amenoff's letter that I've been thinking about:
"...LET YOUR STUDIO BE YOUR SANCTUARY... When your work leaves your studio and moves into the world, its character changes. One doesn't need to consult a Marxist to understand that art is a luxury commodity. You learn to live with this fact (and find ways of justifying it), but in the studio, things are different... If the marketplace finds its way (siritually) into that studio you have abdicated your essential power. Keep your studio clear from concerns of the marketplace. You might have to dance with the wolves but you can still keep them near the door."
Now, granted there is no marketplace for my work, but i still find myself stressing out about art-career related things while I'm working. I don't paint differently or anything, but sometimes it immobilizes me, and often times it makes me grumpy and less likely to enjoy working, mumbling something about getting ready for my retrospective at my U-haul storage space.
I realize that a lot of artists are perfectly happy to just create and could care less if they show in New York, LA, Berlin, whatever, but that is a choice that they make. I've chosen to try to have a "career" in this horrible game.
What do you guys think? Do you have strategies for clearing your mind of all the stress-clutter that comes with trying to be an Artist?
I've been reading Letters to a Young Artist, and there is a part of Gregory Amenoff's letter that I've been thinking about:
"...LET YOUR STUDIO BE YOUR SANCTUARY... When your work leaves your studio and moves into the world, its character changes. One doesn't need to consult a Marxist to understand that art is a luxury commodity. You learn to live with this fact (and find ways of justifying it), but in the studio, things are different... If the marketplace finds its way (siritually) into that studio you have abdicated your essential power. Keep your studio clear from concerns of the marketplace. You might have to dance with the wolves but you can still keep them near the door."
Now, granted there is no marketplace for my work, but i still find myself stressing out about art-career related things while I'm working. I don't paint differently or anything, but sometimes it immobilizes me, and often times it makes me grumpy and less likely to enjoy working, mumbling something about getting ready for my retrospective at my U-haul storage space.
I realize that a lot of artists are perfectly happy to just create and could care less if they show in New York, LA, Berlin, whatever, but that is a choice that they make. I've chosen to try to have a "career" in this horrible game.
What do you guys think? Do you have strategies for clearing your mind of all the stress-clutter that comes with trying to be an Artist?
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