Wednesday, March 16, 2011

Jared Clark at Mulherin Pollard, Chelsea

Jared Clark's show "Orbital" is up now through March 26th (next Saturday) at Mulherin Pollard Gallery in Chelsea, NYC.
Clark, along with Jess Perlitz, was part of a show at Tiger Strikes Asteroid in November 2010.

From the essay for "Orbital", written by Andrew Kozlowski (read the entire thing here)

"Clark is adept at taking the theoretical concepts of modernism and minimalism and reapplying them to conditions that are not ideal. With a laboratory full of objects culled from thrift stores he sets about reconsidering modernist painting and minimalist sculpture. While Jared’s use of rescued objects may liken him to those artists classified as making found-art, it is his affinity for the flatness of painting that imbues his work with a sense of newness."

You can see Clark's "elegant mash-up of minimalism, action painting and pop art" at Mulherin Pollard Projects, 317 10th Ave (btwn 28th & 29th), open Wednesday to Sunday 11-6.

Sunday, February 20, 2011

Alexis Granwell in Heaps and Hives, a group exhibition in Hamilton



Alexis Granwell's work is currently in a group show called Heaps and Hives at the Print Center in Hamilton, and was written up in The Globe and Mail.


In Hamilton, the mundane becomes spectuacular, by R.M. Vaughan

"Alexis Granwell’s etchings of the outlines of tunnels and pits, recreated via elaborate, deftly arranged strings of pale blue-grey dots, marks as quiet as mouse paws on cotton..."

[Read the full article here]

Chad Gerth & Lydia Musco on the Artblog


Reality Collage, by Edward Epstein

"Flying over snow-covered mountains in western Pennsylvania long ago, I was struck by the ambiguous appearance of this wintry landscape, as viewed from 30,000 feet. Was I looking at mountains—or and dunes in the desert, waves in the ocean, ripples in a pond? Chad Gerth’s urban photographs and Lydia Jenkins Musco’s constructions of urban materials [Tiger Strikes Asteriod, February 4 - 27, 2011] both explore the difficulties the eye faces in making sense of the world..."

[Read the full article]

Wednesday, February 09, 2011

Due Diligence Done on the Artblog


Diverse Meanderings at CFEVA and Tiger Strikes Asteroid, by Chip Schwartz

"Another abstract art show at Tiger Strikes Asteroid makes a good point of comparison. Two artists, Brandon Anschultz and John Tallman, share the small space with works that play up the process of making an abstract art work. The artists have similar naturalistic processes that they use to create fairly minimal pieces.

John Tallman uses dyed urethane resin to coat the surfaces of fiberboard into planes of reflective hues. The curious element of these shaped pieces of pure color is that, while one peers into their seeming simplicity, the inconsistencies of the resin and the reflections become apparent. Reflection here is not just a literal play on light, but in a way, a form of introspection as the depth of these pieces emerges.

Using plastic bags and armatures, Tallman also fills makeshift molds with resin as well, sometimes creating geologic-looking forms of unnaturally colored sediment. Of particular interest are the orange-tan, almost flesh-colored hunks of resin he has hanging in pieces from one section of wall. They seem like some sort of cloning experiment gone wrong, and cause a notable amount of anxiety in the viewer; the uneasiness is what makes them stand out.

Oil paint applied to porous surfaces is Brandon Anschultz’s primary medium in this show. The pigments stick together and dry in their natural states, while the oils themselves are absorbed into the material they are painted on. This forms colorless stains around the primary forms, and makes them look almost like parts of the floor of a studio instead of something hanging on a wall.

Two of Anschultz’s creations are 3-dimensional balls of material including paint and sawdust, rubber gloves and resin. The latter is literally composed of old gloves Anschultz used in making other art. He balled them up with whitish resin and let it all congeal in a bag – certainly a better use of discarded gloves than tossing them in a trash bin."

[Read the full article]

Sunday, December 05, 2010

Lucy Kim & Jeesoo Lee in the Philadelphia Weekly


"Installation art can sometimes be pretty inscrutable. Is it sculpture? Is it performance? Is it a painting that crawled its way out of the frame like a magic carpet? But these questions are the definition of what’s interesting about art—being asked (or even required) to think. Lucy Kim and Jeesoo Lee, two artists of Korean origin who count installation work as a significant part of their repertoire, will be giving viewers a lot to think about in their upcoming exhibition at Tiger Strikes Asteroid.

Born in Seoul and trained at RISD and Yale, Lucy Kim’s work roams the wide range between paintings of celebrity iconography and conceptual installations—her past work includes tinfoil impressions of her apartment and car’s interior and an apple painted with the likeness of Paris Hilton. Jeesoo Lee, also trained in the U.S., has described herself as “a painter working three-dimensionally,” projecting her painterly aesthetic into the realm of sculpture and installation—many of her pieces look like they belong in a pop-up book of abstract expressionism. Both women were formally trained as painters, but felt the need to break out of the frame into the third dimension."

Read more: http://www.philadelphiaweekly.com/arts-and-culture/December-First-Friday1201.html#ixzz17FzZbUV6