Thursday, September 30, 2010

Matthew Sepielli in 34th Street Magazine


"If you didn’t catch Matthew Sepielli’s work at Artspace Liberti’s In3s show, now would be the perfect time to journey to Tiger Strikes Asteroid on N. 11th Street to wander through Sepielli’s works. Not quite paintings, but not exactly sculptures either, his work favors hardcover books rather than canvas as his base. These mutant forms have extraordinary texture and come to life through Sepielli’s novel exploration of medium. For instance, his piece “State Fair” layers purples, blues and yellows and juxtaposes them with drill holes on what appears to be scraps of cut canvas spilling out of a closed book. In an interview with FunnelPages, Sepielli reveals his artistic process: “I had all of these hard-bound books, and I was thinking about what I could do with these things after I’m done reading them, since they usually just sit on shelves. So they became surfaces that I paint on. I am thinking about brail and text and how you read a painting versus how you read a book.” With this in mind, his books transform from out-of-reach abstracts into thought provoking 3D concept pieces. Yet, not all of Sepielli’s work hangs on the white walls of galleries — his participation in the Philadelphia Mural Arts Program lends him some serious street cred. This is Sepielli’s first solo exhibit and this local is definitely worth watching out for."



Tuesday, September 14, 2010

Adam Blumberg: Punctum(s) reviewed in the Philadelphia Weekly






















"Punctum(s): by Roberta Fallon

Adam Blumberg’s art is about many things, many related to the culture of small-town, Midwest America where he grew up. The objects, drawings and photographs in his solo show, Punctum(s), at Tiger Strikes Asteroid have an anthropological feel—a take on the informal modern tribes to which we all belong (motorcycle riders, protesters and shoppers, for example). It’s all a little elliptical, and while you don’t have to do the reading assignments (although Roland Barthes’ Camera Lucida and George Baker’s October magazine essay “Photography Expanded” are both excellent reads), it may help to know the theoretical underpinnings to the works and the show’s title.

A punctum is a small detail in a photograph (intentional or not) that takes the viewer into a different subtext than the main subject. For example, a portrait may depict a face and body, but the dirt road in the distance—the punctum—adds a layer of reverie and intrigue, directing the viewer’s imagination elsewhere.

One photo, “Parking Lot, the Springfield Mile,” depicts some down time at a motorcycle rally in Southern Illinois. The shot, taken from above looking down on a small group in a parking lot, seems almost like a surveillance photo. It takes a second to zero in on what all the people congregated are doing—photographing and gawking at a bikini-clad blonde posing near a bike.\

Another, “Logan,” portrays a young boy playing the electric guitar at night between a row of colorful cardboard boxes and a ground-based fireworks display. The low-angle shot captures so much information it takes a while to decide what is the focus—the boy, the guitar, the boxes, the fireworks, the inky sky or maybe those tiny sparks coming off the fireworks, alive with possibility. The photo embodies the spirit of small-town Yankee Doodle on the Fourth of July.

Blumberg, who studied art after switching from an engineering major, produced a few 3D examples of punctum with two “Signs of Protest”—cardboard, hand-lettered signs based on ones that scream their tiny messages in famous news photos of recent-vintage protests, bringing their own meaning to crowd shots. While Blumberg made the pieces for the show, under glass they look like pieces in a museum of the future documenting the current era. “Jump you Fuckers,” says one, from a Wall Street rally at the height of the financial meltdown. As punctum extricated from their photographic sources and made real, the signs hold your attention. You can imagine the protest, photo or not, and the words on the sign bring a power and meaning that the original photo might not have been aiming for.

Blumberg is an earnest young artist. He is himself a Harley motorcycle rider who has ridden with his father from St. Louis to the big rallies in South Dakota. Blumberg rides a non-motored cycle around Philadelphia, though—his Harley is parked in St. Louis.

The idea of surveillance or distanced observation runs throughout the show. But the eye here isn’t mocking, just a studious look at the world in which the artist travels. Many artists become detectives of a sort, looking under rocks and in bureau drawers to find out about life. Blumberg considers how we try, via the tiny punctum details of our lives and self-expression, to portray ourselves either as members of a group or not. And that’s worth thinking about."


Read more: http://www.philadelphiaweekly.com/arts-and-culture/art/Punctums.html#ixzz14hqVmJwC

Friday, September 10, 2010

Adam Blumberg: Punctum(s) on the Art Blog


"The most amusing September exhibition I encountered was almost certainly Adam Blumberg’s Punctum(s) at Tiger Strikes Asteroid. A show of seeming refuse and witty banter, Blumberg creates some signs in the style of those held by homeless people asking for change, except encouraging the readers to “Jump! You Fuckers” or asserting that “I Wish I Had Your $Millions of Problems.” Both irreverent and relevant, some pieces are simply word bubbles on loose-leaf paper.

One piece is a plaster and wooden contraption, a beer bong, painted golden-bronze, and looking more like a broken bugle than a drinking device. The do-it-yourself, low cost, drinking-away-of-sorrows approach to Blumberg’s show make it worth a few hearty chuckles and perhaps the hankering for a beer… although I prefer a glass, myself."

Read more: http://theartblog.org/2010/09/first-friday-at-1026-vox-and-tiger/

Wednesday, August 04, 2010

Tom Vance: Plan in the Philadelphia Weekly


"Tiger Strikes Asteroid, the artist-run, artist-curated exhibition space that shares an address with Vox Populi, will be holding the opening reception for “Plan,” a collection of works by Philadelphian and 2002 Tyler MFA graduate Thomas Vance. Vance, whose work has been featured in four group exhibitions at Fleisher-Ollman Gallery over the past decade, makes three-dimensional pieces such as his amorphous, painted-cardboard geodesics, which recall vegetation in form and Crayola in hue. Vance draws attention to the artifice of painting by covering the cardboard with thick brushstrokes that occasionally evoke wood grain—a nod to late Cubism. The purposefully artificial-looking objects reference natural forms, and they’re little microcosms of the human desire to tame and replicate nature. In the last few years, the artist has added a number of ink drawings to his portfolio, some of which were featured in Seraphim Gallery’s acclaimed “Let’s Go Enjoy Nature!” exhibit last month. His work on paper also turn on themes of nature and control; the recent Nikwai series juxtaposes wood-grain motifs with round figures that evoke the eponymous Japanese topiaries. (Lucy McGuigan)"

Read more: http://www.philadelphiaweekly.com/arts-and-culture/Augusty-First-Friday-Picks.html#ixzz14hvR64W2

Friday, April 03, 2009

Older Press Links














August 9, 2009No Objective reviewed on Matthews the Younger 

July 19, 2009

Manifest Destination reviewed in the Philadelphia Inquirer
"Dark Duo," by Edith Newhall


July 6, 2009
Manifest Destination mentioned on Rob Matthews' blog, Matthews the Younger
"First Friday This Week"


June 1, 2009
Tiger Strikes Asteroid featured on AirTran's inflight Magazine
"Underground Artist Society," by Elisa Ludwig


April 7, 2009
Great review of Spring Break 2009 on The Art Blog
"Big and Bigger - Adams and Monnier on First Friday," by Libby Rosof

April 3, 2009
Featured on Daily Candy
"Cats in Space"


March 3, 2009
Brief Mention in Philadelphia Weekly 
"Collective Goal," by Roberta Fallon

Feb 17, 2009
Interview with member Alexis Granwell in Salt Lake City Fine Arts Examiner
"ASSASSINATION: Alexis Granwell," by Qi Peng .

Feb 12, 2009Pre-opening excitement on The Art Blog
"Tiger Strikes Asteroid Any Day Now!" by Libby Rosof